The Crystal Skull Enigma

Followers of my pages have probably figured out that I have a fascination for The Mitchell Hedges Crystal Skull. Although the story of the skull’s discovery is highly questionable, can we really be sure it’s a fake? There is a recent documentary, which can be viewed on You tube titled “Secrets of the 13 Crystal Skulls – 2017 Documentary” produced by National Geographic, featuring the work of Dr Jane Walsh of The Smithsonian Institute who has spent twenty years plus, conducting research into the crystal skulls, in particular The Mitchell Hedges Skull of Doom. The findings suggest that the skull is most likely a Victorian fake therefore of no great antiquity. The following reasons have been given: The skull appears to be that of a European female. This was concluded after facial reconstruction of the skull using modern forensic methods, (this we already knew). The Skull has had an almost exact copy made by master carver Zhou Zhao Ming at Skullis in China. This was done to disprove a long held belief that the skull could not be replicated in modern times. The Mitchell Hedges Skull has microscopic tool marks which suggest it was fashioned with a diamond wheel. (It is however finished to a much higher standard than the Skullis, Chinese replica, this has been revealed by microscopic inspection of the finished surfaces of both the Mitchell Hedges and the Skullis copy). In fact the surface of the Mitchell Hedges Skull of Doom has a finish which is of an amazing quality.

OK just a few observations of my own. The Smithsonian Institute has conducted a great deal of research into this amazing object but can we trust their findings? They have voiced an opinion, but have not produced conclusive proof. Do machining methods deemed to be modern rule out the possibility that the Skull of Doom could be an ancient artifact? If this is the case, then following the same line of reasoning, the Great Pyramid, Puma Punku, and the Sarcophagi of the Serapeum of Saqqara should also be questioned in the same way. At each of these sites close inspection of the finished surfaces suggest modern machining techniques were used. The fact that the skull portrays facial features akin to European appearance is insufficient evidence to discredit the authenticity of the skull either. In Tiahuanaco carved heads can be found in the walls, displaying features of various races from all over Earth. Consider the Cloud People of Peru, the Chachapoya. Although now extinct, it is noted that the Cloud People were a fair haired, white skinned race with European appearance. OK, the latest findings don’t give all the answers, further research must be done. Is the Mitchell Hedges Crystal Skull a modern fake? The jury is still out!  

The Mysterious Schist Disk

What is this Strange Object Found in the Tomb of Sabu?

Here is a story shared by my good friend Dragan Zdravkovski.  Please visit his web site at www.mysteryx.org.  This mysterious ancient relic was discovered in 1936 by British archaeologist Walter Bryan Emery in the tomb of Sabu (around 3100-3000 BC), Pharaoh Anedjib’s son. Sabu’s father was the fifth ruler of the first dynasty of Ancient Egypt.  Along with the disc other items were found, some stone blades, arrows, copper objects, and other schist parts were discovered in the tomb.

The size of the Sabu Disk is 61 cm X 10 cm. It is made from a rather delicate material, called metasiltstone. It would be difficult to bend this material without breaking it even with the technology we have nowadays.

The researchers are wondering what it was used for. It is unexplainable how could it be made 5000 years ago since the people did not have the technology to process this material and it is still a mystery why the Egyptians put so much effort into making it.

There is a theory that the Sabu disc is an instrument of megalithic energy used by the people over 5000 years ago.

How does it function?

Megalithic energy depends on volume resonators which are an oscillating system that lose very little energy. The constructors of the ancient megaliths understood it as the volume of a specific substance, with specific physicochemical properties. The dimensions and the form of the resonator were in line with the elastic acoustic wave.

This is a very simple instrument, familiar as a passive emitter. For example, if you place a mobile phone in a resonator, its sound would be heard over a great distance.

The picture below shows how the energy from the elastic acoustic wave makes a particular form with sand on a sheet of metal. The precise form relies upon the wavelength of the elastic acoustic wave.

The Sabu Disk has three lobes. That is the reason why the energy modules of the wave, transmitted from the lobes, make three antiphase modules in the disc. Energy waves interrelate with the galactic microwave background of the space, and by means of particular reverberation from the substance’s (water) physicochemical features, the entire procedure makes more energy in the apparatus.